I really love children’s and young adult fiction; it’s what I’m most passionate about. I also equally enjoy adult fiction, but I just don’t get the chance to read it as much. I named March “a month of adult fiction” and despite the fact that I failed terribly and only read two books, I’m so glad I got the chance to read Emily St. John Mandel’s Station Eleven. I was a little apprehensive because I used to adore post-apocalyptic and dystopian fiction before it exploded, but when so many people started naming Station Eleven one of their favourite books of 2014, I finally bought a copy – I didn’t want to miss out!
Station Eleven is a delicious, vividly rich story spanning several decades. It follows individuals whose lives are interconnected before and after a highly-contagious and fast-moving flu virus wipes out most of the world’s population, leaving only a smattering of people to figure out how to survive in a new world without electricity. Yet Station Eleven isn’t a story about how to survive in a post-apocalyptic world after a devastating pandemic, but how people survive with each other.
Jeevan Chaudhary is at the theatre watching a rendition of King Lear when one of the actors, Arthur Leander, has a heart-attack. Because he is a trained paramedic, Jeevan jumps on stage but he is unable to save Arthur. Kirsten, a young actress, is watching him from afar. Fifteen years later, she is part of a Travelling Symphony, a small group of travellers who create moments of happiness for the remaining settled communities, from performing dramatic Shakespearian acts to colourful melodies that spark memories. Station Eleven tells the stories – both present experiences and past exploits – of some of these individuals and the relationships they forge.
Station Eleven is so beautifully written that it doesn’t feel like a post-apocalyptic novel. Sometimes in science fiction, characters can be an insignificant device through which the plot develops, but this story wouldn’t be what it is without its characters – a magnificent and vast exploration of people, whether a creative young PA or a dangerous religious prophet. Station Eleven‘s array of characters is its strength. It has just enough world-building to satisfy the reader, but not so much that it overwhelms or becomes unnecessary. It doesn’t feel like a story with a typical beginning, middle and end – Station Eleven could keep on going if you let it.
Station Eleven is my first adult (non-classic) book of the year and it reminded me why I love fiction so much. It’s beautifully written, clever, thoughtful and incredibly exciting, despite the lack of action and adventure – it doesn’t need it.
“Because survival is insufficient.“
Published: 9th September 2014 (US) 10th September 2014 (UK)
Publisher: Knopf (US) Picador (UK)